Page 8 - 《美术馆》总第004期
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美术馆 + | FEATURES





















       082  How Virtual Exhibitions Can Reconnect with the Audience in the   128  From Art to Life: On “Standing on the Frontline of Life: Hu Yichuan’s
           Time of We Media ?                                     Art and Archival Exhibition”
           By Kang Li, Quan Wenxi                                 By Leng Junqi
       086  Exhibition Narratives and the Purpose of Museums and Art
           Museums in the New Technological Era                   HISTORY OF ART MUSEUM · GAFAM
           By Wang Weiyi
                                                             134  Art Museum of Guangzhou Academy of Fine Arts: Three Museums
                                                                  and One Center: Assembling an Important Regional Art Force
           CURATORIAL STUDIES                                142  Director Talks: Wang Huangsheng, Hu Bin, Chen Xiaoyang:
       092  Narrative Extension in Folded Space-Time:             Self Awareness in a Regional University Art Museum
           Construction and Integration of Form, Meaning and Spirit in the   146  Visiting GAFAM Departments
           “Camel Bells Beyond the Great Wall” Exhibition
           By Cheng Ping                                     152  Selected Works from GAFAM Collection
       098  Curatorial Context of the New Era and Reconstruction of the
           Curatorial Field                                       FORUMS
           By Ji Pengcheng
                                                             156  Designing Museums for the Future
       102  Resonance of Philosophy and Art: How the “True Essence:   An Opened Cube: 21st Century Art Museums Led by Visitors
           Chinese Philosophy in Qi Baishi's Art” Exhibition was Curated
           By Wang Yanan                                     159  Yuko Hasegawa & Kazuyo Sejima: 21st Century Museum of
                                                                  Contemporary Art, Kanazawa
       108  Building on the Past as the Cultural Position of the Art Museum:   161  Sjarel Ex & Shi Wenchian: Depot Boijmans Van Beuningen
           A Case Study of Historical Research and Curatorial Practice
           Regarding the Printmaking Collection at Sichuan Art Museum  164  Claire McKeown & David Allin: The V&A East Project
           By Feng Shi
                                                             167  Ole Bouman & Tatsutomo Hasegawa: Design Society & Sea
                                                                 World Culture and the Arts Center
           COLLECTION STUDIES                                170  Q&A
       112  Evolution of Lai Shaoqi’s Printmaking Themes in Early New China
           and their Links to the Past: From his 1950s Color Woodcut Prints
           By Ding Yuanfei
                                                             172  NEWS

           EXHIBITION STUDIES
                                                             176  CALL FOR ARTICLES
       116  Curatorial Interpretation: Reconsidering Art Exhibition Design
           By Wang Huanran


           EXHIBITION COMMENTARY
       120  Does Computer Art Exist ?
           By Wei Ying
       124  Why Must We Keep Revisiting the 1980s?
           By Du Mengxi










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